My interest in the situationist
movement is purely personal
and passionate in a direct way,
and if the inevitable developments of social circumstances
require my expulsion from the
movement this will in
absolutely no way change my
purely economic attitude toward
this movement. The economic
surplus that my social situation
as a painter offers me finds its
best place in the situationist
movement, even if the same
movement is obliged to attack
me so as to attack a situation
from which I cannot escape,
but which disrupts the movement.
Asger Jorn