This Maoist liar is thus winding up his bluff by trying to arouse admiration for his brilliant discovery of a noncinema cinema, while denouncing a sort of inevitable falsehood in which he has participated, but no more so than have many others. Godard was in fact immediately outmoded by the May 1968 revolt, which caused him to be recognized as a spectacular manufacturer of a superficial, pseudocritical, cooptive art rummaged out of the trashcans of the past.
Internationale situationniste #12